Volume No. XVIII
Volume No. XVII
Volume No. XVI
Volume No. XV
Volume No. XIV
Volume No. XIII
Volume No. XII
Volume No. XI
Volume No. X
Volume No. IX
Volume No. VIII
Volume No. VII
Volume No. VI
Volume No. V
Volume No. IV
Volume No. III
Volume No. II
Volume No. I
Archives
Volume No. I
Volume No. II
Volume No. III
Volume No. IV
Volume No. V
Volume No. VI
Volume No. VII
Volume No. VIII
Volume No. IX
Volume No. X
Volume No. XI
Volume No. XII
Volume No. XIII
Volume No. XIV
Volume No. XV
Volume No. XVI
Volume No. XVII
Volume No. XVIII
On a metal tray a piece of my breast lies yellow and misshapen, waiting to be examined by the "dedicated breast pathologist."
Yesterday this piece of me fit perfectly in its own place northwest of my right nipple. Now it is no longer me but a tissue sample to be tested, measured, magnified and labeled.
This is the third piece of my breast sent to pathology, looking for "good margins."
Miss Hay saw margins as wasteful, made us squeeze meaning onto every inch of paper before we dared ask for more. She saw no value in creating space to isolate an idea for examination.
I, like Miss Hay, want to husband my resources. Three pieces is enough to lose. I do not want to give up a fourth, but I do like edges and clear boundaries.
Margins here are microscopic, not visible like pencil lines on manila paper, but as much as possible I want to know that in this tissue sample there is a safe space between the me that is left and the cancer.
Recently retired after teaching English for 35 year, V. Jane Schneeloch has facilitated writing groups for retirees and for incarcerated women. She currently serves as office manager for the Drama Studio in Springfield , Massachusetts , where she edits Backstage, the Studio's newsletter. Her poetry has been published in Equinox, Hello Goodbye, Peregrine, and Poetic Voices Without Borders. She is an annual participant in Relay for Life, for which she has raised over $3,500. Jane lives in Springfield with her devoted Lhasa Apso, Riley.
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