Volume No. XVIII
Volume No. XVII
Volume No. XVI
Volume No. XV
Volume No. XIV
Volume No. XIII
Volume No. XII
Volume No. XI
Volume No. X
Volume No. IX
Volume No. VIII
Volume No. VII
Volume No. VI
Volume No. V
Volume No. IV
Volume No. III
Volume No. II
Volume No. I
Archives
Volume No. I
Volume No. II
Volume No. III
Volume No. IV
Volume No. V
Volume No. VI
Volume No. VII
Volume No. VIII
Volume No. IX
Volume No. X
Volume No. XI
Volume No. XII
Volume No. XIII
Volume No. XIV
Volume No. XV
Volume No. XVI
Volume No. XVII
Volume No. XVIII
In The Center lobby, clear water plunges over lava rocks, swirls
in a penny-laden but shallow abyss, then threads its way
to a mild splash, bubbles bouncing beneath streaming lights. These falls
never sleep. Signs guide us to The Rivers Waiting, The Desert Waiting, please
have insurance card and proper ID ready. Beneath this cool oasis, surgeries gush
and trickle to a close, blood of the fated washed clean every evening
by figures in blue gowns and gloves. The Falls fulfill the creator's intentions,
roll us along to another place, where the mountains above Lone Pine
loomed large as the future. We dashed from camping trailer
to roll our love-made bodies in an early snow. Glazed. Stinging.
Within reach of scattered chairs, some of these stones were set
in cement, laid here to mimic those murmuring in memory.
But they try to look real, as we try, harmony sifting with the light:
a day without melanoma, every cell kissed by snow, the only shroud,
blue sky streaming over desert.
Carol Barrett holds doctorates in both clinical psychology and creative writing. She teaches at Union Institute & University and at Saybrook University. Her books include Calling in the Bones (Ashland Poetry Press), which won the Snyder Prize, Drawing Lessons (Finishing Line Press), and Pansies, a work of creative nonfiction (Sonder Press). "Waterfall" emerged during her former husband's treatment for advanced stage melanoma.
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